An extraordinary new work by Louis Schanker on heavy plexiglass is on display and for sale at the Westport River Gallery. More works to come. Known as one of The Whitney Ten, Louis Schanker became one of the protesters against the Whitney Museum for the museum's unwillingness to exhibit abstract art. From 1940 to 1960, he taught at the New School of Social Research in New York and from 1964 at Bard College. As an artist, his emphasis was on experimentation and breaking away from Regionalism and Precisionism to focus on abstraction and emotional expression. However, he maintained that some element of realism lay at the core of his work. In the 1930s, he was a WPA artist and worked on murals in New York City. Born in 1903, Louis Schanker quit school as a teenager and joined the circus, worked in the wheat fields of the Great Plains, and rode the rails. In 1919, he went to New York and began studying art. He spent 1931 and 1932 in Paris and came back "something of a Cubist", becoming a muralist and graphic arts supervisor for the WPA and a founding member of The Ten, to which he was attached from start to finish. By 1937, however, even the hostile "New York Times" critic conceded that “Mr. Schanker” had “a touch of lyric feeling.” And in 1938, a writer for "Art News" declared that “Louis Schanker’s delightful "Street Scene From My Window" calls forth admiration for its delicacy of color and kaleidoscopic forms in plane geometry.” (Source, Askart)